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V CL I T OA L S Version 3.26 Part 2 Compiled and maintained by Gerhard den Hollander with lots of help from Echoes the best internet Pink Floyd mailing list. Send criticism/corrections/compliments

And B. C. If you are selling the information or creating a derivative of this information in any form, the information must come from your own website, list or mailing list. You can contact me for more information via post at: Fondly, Michael Norman. [Editor's Note: In this version, the text of “Be Careful What You Wish For” has been removed because, like many Pink Floyd materials, there is only so much room.] -- Gerhard Den Hollander From the February '96 Pink Floyd FAQ: Q: What did the “Hear and never Forget” lyrics mean? A: They were intended to be metaphorical -- a warning about the dangers of excessive optimism and wishful thinking. It is possible that the lyrics were not intended to apply to the original, more optimistic versions of the song “See Emily Play” Michael Norman, Editor — March 1, 1996 Q: Have you ever met Brian May? A: No, but we met in the late 1960s, while working together on The Dark Side of the Moon. May came to visit my place in London, where I was playing music in the studio at Abbey Road, which Brian then used as a home studio. I was very young, and he was very old. On June 23, 1967 — that was two days or so after we'd recorded The Dark Side of the Moon at Abbey Road — the studio was evacuated by the police. The local fire brigade were called, and I was ushered to a safe room by Brian and Pete and the two sound men; the fire was extinguished and the studio returned to normal Michael Norman, Editor — March 1, 1995 Q: Did you ever play “Be Careful What You Wish For” on the White Album? A: I did not, despite my fondness for a good time. The lyrics are quite serious, very difficult to sing as it is, and the sound was not very good Gerhard den Hollander, Editor — March 1, 1995 Q: What did “Do you want it, you want it, you want it?”mean exactly? A: It was originally said by the man of the house, and it was said in a playful, silly way. In the sense of 'fool me once, shame on you, fool me twice, shame on me.

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Vocallist part 2 is a specific section of a form or document that pertains to recording information about vocalists or singers.

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The exact requirements for who needs to file vocallist part 2 can depend on the specific regulations or jurisdiction. Generally, it may be required by individuals or organizations involved in the music industry, such as record labels, production companies, or artists' management teams.

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To fill out vocallist part 2, you should carefully review the form or document instructions provided. In general, you will need to provide relevant information about the vocalists or singers, such as their names, contact details, performances or recordings involved, and any other requested details.

What is the purpose of vocallist part 2?

The purpose of vocallist part 2 is to gather and document information about vocalists or singers, which can be useful for various purposes such as copyright registration, royalty payments, tracking performance history, or compliance with legal requirements.

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The specific information required to be reported on vocallist part 2 can vary depending on the form or document. Generally, it may include details such as the vocalist's name, contact information, performances or recordings involved, payment details, and any other relevant information requested.

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