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No.2 FORUM F O R A N T H R O P O LO G Y AN D C U LT U R E 276 Italy Zemtsovsky Genre Performance Doubles in Russian Epic Tradition Italy Zemtsovsky University of California at Berkeley Since the 1850s,
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These conclusions, however, had been reached with the assumption that the traditions of ancient Russia were confined to the Russian East, the north of which was now known as the Caspian Sea; and that, consequently, no records of traditional Russian culture had been preserved north of Tatars tan. But even this assumption was questionable. In the first decade of the twentieth century Russian historians began systematically to make direct or indirect attempts to collect, collate, and classify the scattered and fragmentary records of folk cultures and traditional Russian customs in the area that is now known as the Russian Far North, and with the aid of these efforts a considerable amount of information on the culture of the area was accumulated. These materials indicate several striking features. Most markedly, for nearly a century before the advent of European contact no traces of such cultures could be found in the far-distant Russian Far North. This development was a result of the deliberate policy of Russian statesmanship in the early twentieth century to eliminate all evidence which suggested the existence of foreign or even “foreign” influences in the Far North. Thus, in the immediate post-Napoleonic epoch, when Russian cultural life in the Russian Far North was at its height, a “curse of national destruction in the south” (as one Russian official put it) had been pronounced on the Russians who had lived “in the shadow of the steppes and had been deprived of contact with the higher forms of life of the north.” And it was only recently that attempts were made to reestablish traditional Russian cultural ways in this region; for instance, the famous expedition which carried out the first excavations in the region in the early years of the century. Even by the late 1890s, when the first Russian-speaking settlements in the far North were beginning to be occupied, “the Russian literature of the north” is said to have been regarded as the work of “native writers,” and to have had little influence on the general Russian literary style. Only after the advent of international interest and trade and the emergence of a large Russian community in the far North in the course of the first decade of the twentieth century did the traditional Russian culture assume a distinctly Russian character, and in the period the “Russian literature of the north” began to assume a distinctly Russian character.

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Genre performance 39doubles39 refers to the evaluation or assessment of the performance of a particular genre, specifically the genre 'doubles'. It involves analyzing and reviewing the execution and delivery of doubles performances within that genre.
The individuals or entities involved in the production, distribution, or exhibition of doubles performances within the genre 'doubles' are typically required to file genre performance 39doubles39 reports. This may include artists, performers, production companies, theater owners, or streaming platforms dealing with the genre.
To fill out genre performance 39doubles39 reports, provide accurate and detailed information regarding the specific doubles performances within the genre. This may include the title of the performance, the names of the performers, venue or platform information, dates of performances, audience attendance or viewership data, financial information, and any other relevant details.
The purpose of genre performance 39doubles39 reports is to monitor and assess the success, popularity, and financial performance of doubles performances within the genre 'doubles'. This information can be used by industry professionals, regulatory bodies, funding organizations, and stakeholders to make informed decisions, allocate resources, analyze trends, and evaluate the overall health of the genre.
The information that must be reported on genre performance 39doubles39 includes the title of the doubles performances, names of the performers, venue or platform details, performance dates, audience attendance or viewership numbers, financial data (such as box office revenue or streaming royalties), and any other relevant details that help evaluate the performance and impact of doubles within the genre.
The deadline to file genre performance 39doubles39 reports in 2023 may vary depending on the specific regulations, guidelines, or industry practices. It is recommended to consult the relevant authorities or organizations responsible for overseeing the genre 'doubles' performance assessments for the exact deadline in 2023.
The penalties for the late filing of genre performance 39doubles39 reports may vary based on the applicable rules, regulations, and agreements. It is advisable to refer to the specific guidelines set by the regulatory bodies, industry associations, or contractual agreements governing the genre 'doubles' performance reporting to understand the potential penalties or consequences for late filing.
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