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Below is a list of the most common customer questions. If you can’t find an answer to your question, please don’t hesitate to reach out to us.
FILM TITLE. What is the Name of your Film? LOGLINE. Tell your story in 30 seconds, it's also called an elevator pitch. SYNOPSIS. The synopsis is 1 paragraph of telling the story without giving away the ending. CHARACTERS. LOCATIONS. SCRIPT. BUDGET. FUNDING.
Confidentiality Agreement. Executive Summary. The project, opportunity, capital required and shooting schedule. Management Team Resumes. Brief resumes of each of your principal team. The Industry. The Project. Production Plan. Production. Financial Plan.
Whereas a proposal presents its argument rationally via categorized information, the treatment evokes how an audience will experience the film on the screen. Write in the active voice in present tense. Tell the reader what they will see and hear on the screen. Describe the story and introduce any characters.
A treatment is a document that presents the story idea of your film before writing the entire script. Treatments are often written in present tense, in a narrative-like prose, and highlight the most important information about your film, including title, log line, story summary, and character descriptions.
Start with your title. A title should be something that encapsulates the essence of your story. Compose your logline. Summarize the concept. Set up the main characters. Explore the acts. Epilogue.
There's no correct length a script treatment/synopsis/outline should be either. It can be anywhere from three to thirty pages in length (or more), but most industry people suggest keeping them short and sweet.
The Film Proposal is a visual representation of how your film is going to look, your vision as a completed end-product. You use it to excite key crew and cast to come onboard your project.
A logline is a one-sentence summary or description of a movie. Log lines distill the important elements of your screenplay main character, setup, central conflict, antagonist into a clear, concise teaser. The goal is to write a log line so enticing that it hooks the listener into reading the entire script.
A logline must have the following. the protagonist. Don't use a character name. Use an adjective to give a little depth to that character. Clearly and quickly present the protagonist's main goal. Describe the Antagonist. Make sure your protagonist is pro-active. If you can, include stakes and/or a ticking time-bomb. Setup.
A log line must have the following. the protagonist. Don't use a character name. Use an adjective to give a little depth to that character. Clearly and quickly present the protagonist's main goal. Describe the Antagonist. Make sure your protagonist is pro-active. If you can, include stakes and/or a ticking time-bomb. Setup.
The log line is truly an art form of its own. It's the one or two sentence summary of your film that not only conveys your premise, but also gives the reader emotional insight into the story as a whole. After all, it simply isn't possible to convey every last detail of a 110-page script in a sentence or two.
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