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Hi everybody welcome and thanks for joining us my name is Mark Hopkins, and I am a student advisor here at Berk lee music today I have the pleasure of hosting this open house with Pat Patterson published author lyric guru one of my favorite Berk lee faculty members and how we're going to work this today is Pat is going to do about 20 minute presentation and at the end we're going to open up the floor to questions and Pat is going to we're going to do our best to answer as many as we can obviously there's a lot of people here it's going to be kind of tough to get to everyone, but we're going to do our best to answer as many as we can wait did you say one of your favorite one the favorite Berkeley professor okay keep going so to get us started off pat you've written a lot about a rule of songwriting what do you think the most important rules of songwriting are each rules well I guess there are rules you know mostly I think there are just tools but there is you know I think there's's only one rule there's only one rule in songwriting, and it's a common-sense rule everything should work together everything should work together to communicate whatever it is that you want and that's that that's I don't know if that's a rule or that's a principle, but it's its it's called prosody PR So DUI prosody, and it was first articulated by the philosopher Aristotle when he said that every great work of art exhibits the same characteristic and that's unity that everything in that work works together to communicate the message that the work is trying to communicate and so that just means that what the message is supported by all the other aspects of the art that notion of support there's the idea that you're trying to communicate in your song there's the idea that you're trying to communicate and that idea will have some kind of characteristic now there's two there are two words that I like to use that I think cover a lot of territory and really feed into this whole notion of prosody of everything working together, and it's it's the notion of stability and instability or stable whacks on unstable whacks off it is to say I think that those two categories really I mean its course it's the spectrum, but they cover just about everything for example your idea what are you talking about well I'm talking about how grateful I am is that you're in my life and how do I feel about that well I feel you know I really want you to believe it, so I would say that I feel really stable about that when I tell you that I'm so grateful that you're in my life and so all the tools that I have at my disposal will go into helping create that sense of stability whereas on the other hand if I'm saying something like ever since you left me I've been so alone so confused off-balance then obviously I'm feeling unstable wax off and the tools those same tools that are available will be now used to craft that feeling of instability, and it doesn't have to be you know I'm either really confused or...
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