Scetch Radio Format For Free

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one page of dialogue is approximately one minute of air time. Each scene should be numbered. Lines are usually double-spaced. Sound and music cues are triple spaced. Paragraphs are triple spaced. All cues are capitalized and numbered. Notes for pronunciation, physical action, and position of characters are indented.
1 Number the pages. Sounds obvious I know, but you'd be amazed how many scripts we receive with no page numbers. Number the lines. Don't split speeches over two pages. New scene, new page. 5 Mark SFX and Music cues clearly. Differentiate narrator text. Use a clear, reasonably sized font. Descriptions or no description?
12-point Courier font. 1.5 inch left margin. 1 inch right margin (between. 1 inch top and bottom margins. Approximately 55 lines per page, regardless of paper size (top and bottom margins adjusted accordingly). Dialogue speaker names (in all caps) 3.7 inches from left side of page (2.2 from margin)
Grab the audience from the start. Write about something that is personal to you. Vary the pace and length of your scenes. Make sure the structure keeps them listening. Get under the skin of your characters. Express your characters between dialogue and interaction.
A typical radio play is 55 minutes long, which is only half of what you'd have for a film screenplay, so you really need to telescope your story.
A play is written as a script, a text version of planned dialogue. There are two major parts of a script. The dialogue refers to the words that will be spoken by the actors. The stage directions are instructions about the positioning or movement of the actors or different aspects of the set.
Make the obstacles tougher and tougher. Create a cause and effect structure. Create a climactic moment that brings together your protagonist and antagonist in one final showdown. Come to the earned conclusion. Avoid cheat endings. Tie up loose ends in the resolution.
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