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APPLICATION FOR REIMBURSEMENT Sci t G n rale Strakhovanie CSC : 105064, .9 : 7 (495) 662 66 19 from the Insurance under the Policy dated 0000/000000000000000000 dated 31.01.2011,

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Well it's great to be back here I've been smitten I think eight years since I was he or something like that and it's wonderful to come into the conference and I'm very sorry that I couldn't make the first three days I would have lots to say about that all that material but I think we have time to talk about all this later so I have a very general and abstract kind of a talk to give today with a very simple kind of an organization that's de Kooning by the way and right behind him that's Greenberg and there's no Gucci very simple organization here I'm going to concentrate on six sets of unresolved problems in artists in art criticism I'm going to skip this sentence in red I said they had to cut a number of slides out of this I'm going to skip this but i want to mention that in the fuller version of this talk i have material on the idea that art criticism could be nonverbal that art criticism can happen by pictures and images that visual art can be criticism something that i think is very important but i have to skip it for today and then i'm going to talk about several attempts recent attempts to figure out art criticism to say what it is i'm going to talk about the famous october magazine roundtable on art criticism from 2003 or whatever it was and then again because of lack of time I'm going to skip a very interesting thing that if you don't know i recommend you oh and look it up this is the columbia arts journalism survey it's the only quantitative survey of art criticism that's ever been made unfortunately it's only for the United States but it lists all of the top critics in the United States and tells how much money they make and what artists they like and don't like it's very entertaining but I am going to talk about the book state of art criticism which was a book that I edited and it's another attempt to figure out our criticism the reason that I skipped these two things in red is to make room for this I'd put this in last night I saw from the program of this conference especially the first day that a fair amount of the subject matter had to do with art history and because most of my work these days is world and global art history I want to put in a section here about possible parallel between ways that our criticism is theorized in ways that our history is theorized around the world so that will be the last section of the talk okay so the first theme here six sets of unresolved problems in art criticism and that's the little book that got me started on this subject little polemic book that I wrote in the background of some of these slides I have pictures that are not related to what I'm saying just because I think that if you don't show pictures it gets very boring so that's Ouija nothing to do with what this so first of the six first of the six sets of unresolved problems is that art criticism is very widely discussed but as we all know there's no central text for our criticism no common starting place no working definition for our...

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