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This document provides detailed information about a conference exploring the themes of documentary photography from the New Deal era, organized by the Franklin D. Roosevelt Presidential Library. It
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How to fill out Documentary of the Photography New Deal

01
Gather all necessary information about the photographic works you are documenting.
02
Begin with the title of the work and the creator's name.
03
Specify the medium of the photograph (e.g., digital, film, etc.).
04
Document the date of creation for each photograph.
05
Include the geographical location where the photograph was taken.
06
List any relevant historical or cultural context associated with the work.
07
Provide information about the ownership rights and any restrictions on usage.
08
Add any additional notes or comments that are pertinent to the documentation.
09
Review the filled form for accuracy and completeness before submitting.

Who needs Documentary of the Photography New Deal?

01
Photographers looking to formally document their works.
02
Artists and curators preparing for exhibitions.
03
Archives and libraries collecting photographic histories.
04
Researchers studying specific photography movements or styles.
05
Institutions seeking to preserve cultural heritage through photography.
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Dorothea Lange's photographs humanized the Great Depression's impact on rural America. Her work transformed documentary photography into a powerful tool for social change. Lange's images influenced public opinion and government policies during a critical period in American history.
In early March, 1936, Dorothea Lange drove past a sign reading, “PEA-PICKERS CAMP,” in Nipomo, California. At the time, she was working as a photographer for the Resettlement Administration (RA), a Depression-era government agency formed to raise public awareness of and provide aid to struggling farmers.
Dorothea Lange (born Dorothea Margaretta Nutzhorn; May 26, 1895 – October 11, 1965) was an American documentary photographer and photojournalist, best known for her Depression-era work for the Farm Security Administration (FSA).
Iconic Documentary Photographers Walker Evans. Walker Evans, profile, hand up to face, 1937. Don McCullin. Don McCullin in an broadcast from TV Brasil, 2011. Lewis Hine. © Lewis Hine, self-portrait. Robert Frank. Robert Frank © Dodo Jin Ming. Nan Goldin. Nan Goldin, 2009. Robert Capa. Sebastião Salgado. Mary Ellen Mark.
Dorothea Lange captured the human face of the Great Depression through her powerful photographs. Her images showed the struggles of everyday Americans during one of the toughest times in U.S. history. Lange's work helped change how people saw poverty and influenced the development of documentary photography.
Among the given options, the one that best describes new documentary photography is: It surveyed the social landscape, or social conditions, in a raw and unsentimental manner.
Lange's documentary photography was characterized by her ability to capture the human experience and evoke empathy in her viewers. She often used a large-format camera and preferred natural lighting to create a sense of intimacy and realism in her images.
Socially concerned photographers such as Walker Evans, Dorothea Lange, and Arthur Rothstein were hired by the federal government and magazines to capture images of the urban and rural poor that would elicit support for aid programs.

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The Documentary of the Photography New Deal is a project that aims to document and preserve the historical significance of photography produced during the New Deal era in the United States, detailing the artistic contributions and social impacts of that period.
Artists, photographers, and institutions that wish to participate in the project or seek funding for projects related to New Deal photography are typically required to file this documentation.
To fill out the Documentary of the Photography New Deal, one must provide details such as personal information, project description, the historical context of the photography, and any relevant documentation that supports the project.
The purpose of the Documentary of the Photography New Deal is to ensure the preservation of photographic art from the era, to facilitate academic research, and to foster a greater understanding of the cultural and social narratives portrayed through these images.
The information required includes the name and contact details of the applicant, a detailed project description, historical context, budget estimates, and any potential educational or cultural outcomes expected from the project.
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