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This document serves as a comprehensive guide for the HHMI Science Outreach Program, detailing activities and experiments focused on microbes, including classroom basics, scientific methods, and hands-on
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Identify the sections in the Microcosmos framework that relate to your topic.
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Sound was not recorded at the same time as the movie was filmed in Italy at that time. Also, a lot of the Italian and Spanish actors had terrible accents so their lines were dubbed so that US and British audiences could understand them. Eastwood, Van Cleef, and Wallach dubbed their own lines, I do believe.
The Good, the Bad and the (1966) is a Spaghetti Western movie directed by Sergio Leone and starring Clint Eastwood, Lee Van Cleef and Eli Wallach. The film follows three men, Blondie (the Good), Angel Eyes (the Bad), and Tuco (the ), as they compete to find a buried treasure during the American Civil War.
All of the film's dialogue was recorded in post- production. Every cast member performed in their native language, with the three leads (Clint Eastwood, Lee Van Cleef, Eli Wallach) speaking English. The supporting cast was largely Italian and were all dubbed into English for the American version of the film.
0:03 1:00 The dictator Mussolini. Actually banned any use of foreign language in films. And so dubbing foreignMoreThe dictator Mussolini. Actually banned any use of foreign language in films. And so dubbing foreign movies became the norm additionally. There were no proper soundstages at the major Italian studios.
Themes. Like many of his films, director Sergio Leone noted that the film is a satire of the western genre. He has noted the film's theme of emphasis on violence and the deconstruction of Old West romanticism.
The non-lead actors were mostly European, and some of them may have had pretty limited (and heavily accented) English, so their voices were dubbed. It's one of the hallmarks of the Spaghetti Western.
This movie uses the Civil War as a backdrop and a symbol for death and destruction. This comment on war is painted as even more morally evil than any of the three main characters, who are themselves, really despicable men.
The versions of this film can be summarized as follows: The full Italian version runs about 174m. The "International Export"/ Original U.S. theatrical version supervised by Leone runs 161m - this is the version available on VHS, laserdisc and DVD in the UK and USA.

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Microcosmos; the Good, the Bad and the Ugly is a comprehensive assessment framework designed to evaluate small-scale ecosystems and their dynamics. It aims to explore the positive aspects (the Good), negative impacts (the Bad), and undesirable features (the Ugly) of micro-ecosystems.
Individuals, researchers, and organizations involved in studying or managing small-scale ecosystems are typically required to file Microcosmos; the Good, the Bad and the Ugly.
To fill out Microcosmos; the Good, the Bad and the Ugly, one should provide detailed observations and data regarding the ecosystem, categorize findings into the three sections (Good, Bad, Ugly), and utilize specified templates or forms required for reporting.
The purpose of Microcosmos; the Good, the Bad and the Ugly is to create a holistic understanding of micro-ecosystems, inform conservation efforts, and guide policy decisions by shedding light on various ecological implications.
Information reported on Microcosmos; the Good, the Bad and the Ugly must include ecological data, impact assessments, observations of species interactions, environmental stressors, and recommendations for future management.
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