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This thesis examines the representation of female identity in Frances Burney's novel Evelina, focusing on how male figures influence and control Evelina's identity through societal and familial expectations.
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How to fill out THE PRETTIEST LITTLE ACTRESS: PERFORMANCE THEORY AND FRANCES BURNEY’S EVELINA

01
Read the introduction to understand the context of Frances Burney's Evelina.
02
Familiarize yourself with Performance Theory as it relates to literature.
03
Identify key themes in Evelina that relate to performance and identity.
04
Take notes on significant characters and their development in the context of performance.
05
Analyze specific passages to see how they illustrate performance concepts.
06
Apply theoretical frameworks to the text in your writing.
07
Draft your response, integrating theory with textual analysis.
08
Revise for clarity, coherence, and academic rigor.

Who needs THE PRETTIEST LITTLE ACTRESS: PERFORMANCE THEORY AND FRANCES BURNEY’S EVELINA?

01
Students studying English literature.
02
Scholars interested in gender and performance theory.
03
Theater practitioners looking for literary insights.
04
Anyone analyzing social roles in 18th-century literature.
05
Readers of Frances Burney or fans of historical novels.
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Set in the 18th century, these volumes highlight and satirize the role of women and social classes. The story is about a young woman named Evelina, the illegitimate daughter of an aristocrat. Her father, however, refuses to recognize her and sends her to the country, where she is raised by Reverend Villars.
"Evelina," published in 1778 by Fanny Burney, is a novel that follows the life of its titular character, Evelina Anville, who navigates the complexities of society after being abandoned by her father and raised by a guardian, Reverend Mr.
Evelina's "foster" sister, no longer Macartney's half-sister, marries him, and Evelina comes into her inheritance. She then marries Lord Orville, who is now fully acquainted with her history, asking Rev. Villars' blessing in a final letter.
First edition, 1796. Frances Burney was one of Jane Austen's favourite authors. She grew up reading Burney's novels Evelina and Cecilia, and drew inspiration from them for her own works.
Evelina is characterized as innocent, guileless and inexperienced, as a natural, but not spotless character, conscious of her own emotions but seemingly unaware of the effect she has on men. She is an 'innocent abroad', trying to come to grips with unfamiliar social codes.

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THE PRETTIEST LITTLE ACTRESS: PERFORMANCE THEORY AND FRANCES BURNEY’S EVELINA is a scholarly work that explores the intersections of performance theory and literature through the lens of Frances Burney's novel 'Evelina.' It examines how the themes of gender, identity, and societal expectations are portrayed in the character of Evelina and critiques the theatrical aspects of her story.
This work is typically filed by scholars, researchers, or students who are engaging with performance theory and literary studies, particularly those focusing on 18th-century literature or the works of Frances Burney.
Filling out this document would involve providing detailed analysis and interpretations based on performance theory, while also incorporating textual examples from 'Evelina.' Contributors should ensure they clearly articulate the connections between the performance elements and the narrative structure.
The purpose of this work is to deepen the understanding of how performance theory can be applied to literary texts, specifically examining the ways in which Frances Burney’s 'Evelina' reflects and critiques the social performances of femininity in the 18th century.
Information that must be reported includes analysis of the performance aspects of the text, character studies, thematic explorations related to gender and identity, and a discussion on the impact of societal expectations on the characters and narrative.
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