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ExplorationsinRakuFiringTechniques:HandsOn2DayWorkshopwithPatrickShiaCrabb TH SaturdayandSunday,May14 &15,2016from10amto4pm LoyolaMarymountUniversity, CeramicsDepartment Rakuismorethanputtingyourpiecesinapostreductionchamberandhopeitwillcomeoutasyouimagined.
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How to fill out explorations in raku firing

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How to fill out explorations in raku firing:

01
Begin by selecting the type of clay you want to use for your raku firing. Different clays can produce different effects, so consider the desired outcome.
02
Prepare your clay by wedging it to remove air bubbles and create a smooth consistency. This ensures even firing and prevents cracks.
03
Shape your clay into the desired form, whether it's a vase, sculpture, or any other object. Pay attention to the thickness of the clay, as this will affect the firing process.
04
Allow your clay piece to dry completely before the firing process. It should be bone dry to prevent any cracking or exploding in the kiln.
05
Create a glaze or slip for your raku piece. Raku firing is known for its unique glaze effects. Experiment with different glaze recipes to achieve the desired results.
06
Apply the glaze or slip to your dry clay piece. This can be done through brushing, dipping, or spraying. Ensure even coverage and avoid excessive application, which can cause issues during firing.
07
Place your glazed piece into the raku kiln. Raku firings are typically done in an open, outdoor kiln to allow for rapid temperature changes and smoking effects.
08
Fire your piece in the raku kiln until the glaze reaches its melting point. This usually takes around 15-30 minutes, depending on the kiln temperature and the thickness of the clay.
09
Carefully remove your piece from the kiln with tongs or heat-resistant gloves. Be cautious as the piece will be extremely hot.
10
Immediately place the hot piece into a reduction chamber, such as a metal container filled with combustible materials like sawdust or newspaper. This creates a reduction atmosphere, which enhances the unique colors and effects of raku firing.
11
Allow your piece to cool down in the reduction chamber for a few minutes. The smoke and reduction process will interact with the glaze and clay, creating beautiful and unpredictable patterns.
12
Once cooled, remove your piece from the reduction chamber and clean off any ash or residue. Rinse it gently with water and a soft brush to reveal the final results of your raku firing.

Who needs explorations in raku firing:

01
Ceramic artists and enthusiasts who want to explore alternative firing techniques and create unique and unpredictable effects on their clay pieces.
02
Individuals interested in experimenting with different glaze recipes and combinations to achieve specific aesthetic results.
03
Artists looking to add depth, texture, and metallic finishes to their ceramic artwork using the distinctive qualities of raku firing.
04
Students or researchers studying ceramic arts or traditional firing methods, aiming to expand their knowledge and experience in the field.
05
Anyone seeking a hands-on, interactive firing process that allows for creativity, experimentation, and spontaneous outcomes in pottery.
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Explorations in raku firing involve experimenting with different techniques and materials in the process of firing raku pottery.
Any pottery artist or studio engaging in raku firing experiments may be required to file explorations.
The explorations in raku firing form can be filled out online or by submitting a physical copy to the appropriate regulatory authorities.
The purpose of explorations in raku firing is to document and track experimental processes in order to improve outcomes and ensure safety.
The information reported on explorations in raku firing may include details of the materials used, firing techniques, results, and any safety measures taken.
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