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Hey I'm coming into the ocean weight room and uh it was Alan's side the ocean way Alan how are you how are you got a great show and the other this year Munich was a fun show you know it's a had a nice space, and it was a very happy way to came out you've had great sound I came in my all on your team was a really, really great room we played up Vanessa Fernandez track in the viewers you're going to hear this and when you go over to the Munich show videos I click on that they did win an award for that track and the reason why is the speakers are so darn good well thank you so much tell us about the speakers you have here in Newport this year well this is a little bigger system than what we had in Munich, and we use this one you know it's it obviously it's tossed fairly narrow, but it actually goes very low like other ones it still goes down to 20 Hertz no problem, but it has incredibly wide dynamic range and the other thing that's very important to me is having very wide dispersion because a lot of the speakers that I hear you know you've got, and you don't notice it but a lot of domes if you get off axis 30 degrees you have a totally different sound you do at zero that's right we can go 35 to 4 degrees off and land the zero plot it's almost exactly the same and part of that is the waveguide allows us it makes us much more in even with creativity hmm, and it also gives us significantly more efficiency, so we have ferrofluid the gap, and it's a little of dumb with my mother surround, but it is actually is very silky sounding it has very wide aspersion, but we can get amazing dynamic range, so I can play things that are quite shockingly dynamic, and it's just clean as a whistle so dynamic range man off the charts its capacity is pretty ridiculous yeah I mean even I think at the Munich show I think it were quite shocked that we could play stuff, and we're hitting transients something classical there were you know 115 DBS and at the peaks, and it's clean that it's no distortion it's not harsh because that's the thing a lot of smaller speakers if you are muttering something in here you say an 85 or 90 DBS, and you've got some big stuff coming up one or 105 you could be in the 10 to 12 percent distortion range but time you hit 100 DBS is the poor little mid-range we're just giving it up mm-hmm and these have that that's very important I know I mean it's like it's a rocket launch from almost instantaneous you don't write up there because simply you know high trains which ones the other thing is our system is physically time aligned all the components are at exact the voice calls are in alignment, so there's no digital it's all a totally analog device there's no digitally required, and it has a very sophisticated passive crossover, so it doesn't require it triumphal filling up I have the flooring but the other thing about our speaker I think is that you can get that close to it, and it sounds like one sound you don't hear the components operating...
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