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St. Johns Episcopal Church Decatur, AlabamaTwentieth Sunday after Pentecost October 10, 2021 10:30 a.m.The Holy Eucharist, Rite II PreludePrelude and Fugue in G Minor Johann Sabastian BachSt. Anne
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01
Start by analyzing the structure of the prelude and fugue.
02
Identify the key of the prelude and fugue.
03
Write the prelude first, focusing on creating a musical theme or motif.
04
Move on to writing the fugue, following the rules of counterpoint.
05
Ensure that the fugue subject is well-developed and followed by episodes of varying intensity.
06
Pay attention to the voice leading and harmonic progression in both the prelude and fugue.
07
Make sure to maintain a coherent and cohesive connection between the prelude and fugue sections.

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Musicians studying music theory and composition.
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Prelude and fugue are musical forms characterized by an introductory section (the prelude) followed by a contrapuntal composition (the fugue) that explores a theme through interwoven melodies.
The term 'prelude and fugue in' appears to refer to a musical context and is not applicable to filing requirements. If referring to something else, please clarify the context.
If referring to musical composition, a prelude can be filled out by establishing a thematic idea, while a fugue can be written by introducing a subject and developing it through various voices. If referring to filing, please clarify.
In music, the purpose of prelude and fugue is to create a structured yet expressive musical experience, showcasing the composer’s skill in thematic development and counterpoint.
The term does not correspond to a reporting requirement in a legal or administrative context. Please clarify if 'prelude and fugue in' is intended to mean something specific.
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