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Music and everybody#39’s fans John here with the blues guitar Institute this is your Tuesday blues lesson number 136 in this lesson we#39’re going to continue talking about Mississippi hill country blues, and specifically we're going to take a look at a rhythm style from RL Burnside#39’s one of that particular subgenres absolute masters he is a true gem and you#39’ve definitely got to check out his stuff now M tuned to open G tank so IN#39’m 10 Don the low string, and then we move to gene B again G again and then B and then again has a nice open G ticking#39’s really going to come in handy get a lot of core tellers go in as we do so drumming without further ado let#39;get right into today's lesson we'redoing to build this thing step by step and really make sure that you can get this rhythm in the pocket and up to speed to get started we#39’re going to break things down to its simplest Normand that is the pulse the one two three four count of each bar one two three four one but what we are going to do is accentuate the two and four with a snare pop sort of sound which is caused mostly by just kind of crashing the palm down really just kind of straight in toward your body and letting the strings kind of snap against the fret board, and you'll see RL play kind of in this territory above where the sound hole is that kind of helps this snap sound really come alive you may want to kind of shift from playing over sample their, and you've got this big and tenuous#39’ve got the bass with the snare sewer pop and the thing is the Sun still strums through on that, so it's not just different it#39’s not that it's this notice how my thumb is still going on every beat that's really what you'relooking for and keep in mind month frame is nowhere on the fret boards I'm not even doing any muting hearths is entirely with your picking hand Music and when you really want to get into it can really just kind of dig in and get that snare sound to really just kind of pop out front thereby suggestion to you is that to get started with this and really become proficient, and it is to start with just this little combination it#39’s actually quite difficult even though their#39’s just these you know playing on the beat one two three four it's actually quite different to get that groove happening Music the next thing that we want to do slayer in this upstroke that's happening on the offbeats we're still going to keep our 1 3 3 4going well we#39’ve kind of got that kick snare deal happening but we#39’re going to-do this brushstroke on strings to begin for on some off beats sounds like this Music or so the index finger is definitely busy they are filling in and the patterns we#39’re going to do update kind of negative entropy there and that#39’s just the first part of the pattern from Therese#39’ll fill it out to sound like this swill be followed by a snare and then that little that air kind of repeats itself and that just kind of establishes the main rhythmic pattern this...
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