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This article discusses the concept of telematic immersion in music performance, exploring technology and artistic creativity within telematic environments, and includes reflections on the collaborative
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01
Select your network music tools and platforms.
02
Create sections for each project or session you undertake.
03
Document the date and time of each music session.
04
Note the collaborators involved and their contributions.
05
Describe the ideas or concepts explored during the session.
06
List any technical details, such as software or hardware used.
07
Reflect on the outcomes, challenges, and successes of each session.
08
Include links to recordings or additional resources where applicable.
09
Set goals for future sessions based on your reflections.

Who needs journal of network music?

01
Independent musicians experimenting with networked collaboration.
02
Educators teaching music technology and collaboration.
03
Researchers studying network music and its social implications.
04
Music producers looking to document and refine their creative processes.
05
Anyone interested in tracking their creative growth and experiences in networked music.
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The Journal of Network Music is a publication that focuses on the intersection of music and technology, particularly how digital networks and online platforms influence music creation, distribution, and consumption.
Individuals and organizations involved in the creation, performance, or distribution of networked music are generally required to file or contribute to the Journal of Network Music.
To fill out the Journal of Network Music, contributors should provide detailed information about their music project, including the title, genre, collaborators, distribution methods, and any technological tools used in the process.
The purpose of the Journal of Network Music is to document and analyze the evolving landscape of music as it interacts with digital tools and networks, fostering collaboration and knowledge sharing among creators.
The information that must be reported includes project title, participating artists, genre, description of the work, distribution channels, and any relevant technological aspects, such as software and platforms used.
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telematic music virtual studies Paulo C. Chagas audiovisual performance electronic music artistic collaboration remote performance music technology pedagogical applications COVID-19 pandemic

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