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Minuet Form. A classical minute movement typically contains a main minute, followed by a trio, _followed by a _the capo repeat of the main minute (usually performed without taking the repeats). The movement, then, has a large-scale ABA' form: minuettriominuet the capo.
Trio, a musical composition for three instruments or voices, or a group of three performers. The term trio came to be identified with the middle section of a dance movement in ternary form (the b section of an ABA form such as a minute or a scherzo).
A classical minute movement typically contains a main minute, followed by a trio, _followed by a _the capo repeat of the main minute (usually performed without taking the repeats). The movement, then, has a large-scale ABA' form: minuettriominuet the capo.
In general, “trio” denotes a group of three solo instruments or voices (Handel 2003). The term is also used to describe a composition for such a group. The most common types of such compositions are the “piano trio”piano, violin and cello and the “string trio”violin, viola and cello (Schwann 2001).
So why is the middle section of a minute or scherzo called a 'trio'? Changes in scoring could heighten the contrast, so a string-dominated, four-part minute could be followed by a lighter dance for, say, three wind instruments a 'trio'.
In the first part of the Classical period, the dance movement, when it appeared, usually consisted of a minute in fairly simple binary form (the two-part form from which sonata form evolved). This was followed by a second minute known as the trio, which tended in orchestral works to be more lightly scored.
minute. A slow, stately pattern dance in 3/4 time for groups of couples, originating in 17th-century France. The music for this dance. A movement in 3/4 time that is usually the third, but sometimes the second, of a four-movement symphony or string quartet.
Create a suitable minute rhythm. An extremely common rhythm used in minutes involves an antecedent phrase in 3/4 time, consisting of a half note followed by two quarter notes and four eighth notes. The consequent phrase consists of a half note, two quarter notes, two eighth notes and one quarter note to end the phrase.
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