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Today we're going to talk about a topic that in some ways is a follow-up to the MelodyWriting tutorial we recently did. In other ways it's not. We're going to attempt to define a set of guidelines for how you can incorporate hooks into your songs and melodies. I can hear some of you already saying, hooks and melodies? Those are the same thing, right? Well not really but yeah sometimes. You see, a hook is nothing more than a metaphorical term for the special thing that makes catchy music well catchy If we consider the listener on the other end of our creative output we have a delicate balance to strike. The recipe for catchy music is equal parts predictability and unpredictability. And if that seems at odds to you — it is. And really that's the beautiful thing that makes music kinda special. We're reconnecting with listeners by both sharing a reliable experience, while surprising them at the same time. If we were to extend our hook metaphor the predictable elements might be the bait that lures our listeners into the song through familiarity, but it's the hook that catches them. Of course, a strong melody is still a great thing to have. But today let s look at some hook techniques to either modify your melodies or accompany them. Technique #1: Give em something to shout about once saw an interview with a songwriter who summed up her definition of a hook pretty simply. She said, A hook is the thing the audience shouts when you play live. To illustrate this let s revisit an instrumental that we've already seen in our mixing tutorial on High Pass and Low Pass filters. Remember this song? Today we've added a top line melody to go over that instrumental. Here's how it sounds. And we've written some lyrics to replace that piano melody. The melody is nice but if we imagined playing this song in front of a crowd it doesn't work with our songwriter s rule there's nothing really for the audience to shout. And it s for this reason that you'll often hear seemingly arbitrary shoutable hooks in songs. These appear in songs for one great reason: they work. They engage the listener. Check out this clip from the band NOX playing a show in Monterrey, Mexico. That shouting shows the audience is hooked. With that in mind, let s try adding a simple shout to our song. Artists like The Mutineers employ this trick very successfully. I've downloaded two samples of people shouting Hey from free sound.org. This one and this one I'll pan them for some stereo separation, and then I'll duplicate the tracks and transpose the samples a bit so our chorus of Hey's sounds bigger and like a mix of genders and ages you know, kinda like a crowd at a live show. Check out our song now. I defy you to listen to this and not want to shout along with the Hey, even if it s Justin your head while you're listening. That's what hooks do. The melody gives us a familiar, the hook provides that element of surprise. But okay that's a simple gimmick, even if it is effective Let s check out a more...
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