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Hey everyone this is Sarah from rhythmjuicecom so in this video we're going to be showing you how to transform a basic piece of choreography into a highly musical masterpiece Now while this content might be pretty advanced it should be interesting for dancers of all levels who are interested in seeing the layers of musicality as well as the process we go through to create high quality stuff the musicality clip comes from a course we have on rhythm juice so in that course we teach a basic Charleston combination then we spice it up with some advanced embellishments to hit one song, but then we switched to a new song and try to figure out how to make that combo highly musical and hit the new song let's get started by watching a demo of the basic combination without any of the fancy embellishments the next thing we did in the chorus was walk through a bunch of embellishment rounds to make it more and more fancy and advanced so let's take a look at the basic ground followed by the fancy round and see if we can tell the difference it's subtle, but it's definitely there now that we have the basic and the fancy round we switch the songs the question on the table became how can we make this piece of choreography be more musical to this new song if you have a critical eye for musicality like us, and you noticed we weren't quite hitting it as well as we could comment with the word BOOM DHAKA below and if you haven't really noticed difference don't worry at all by the end of this next clip you'll start topee the picture alright so let's jump into the main clip where we walk you through the changes and why also if you stick around to the end of the video we've included a bonus clip where we show you an improvisation based off of the moves and styling so that you can see how the musicality affects the social dancing as well as the choreography welcome to the musicality round, so we did this to a song when I get low I get high by Glen Chrysler, and we are watching the cool fancy version and noticing trying to pick out all the points where we're like wow we're not hitting that we're really attracted to that sound but nothing's happening, so basically I'll splice in a little demo to music, and then we'll chime backing here the idea is we were missing some waypoints than big area da da the dew da da da da dew UUU WHAT heard something big there, and I also noticed that when we did our scat it wasn't really anything in the music like man that's not it — no awesome Anand then like laughs father voice right now bear with me sorry about that so the first major change we did was try to hit that thing over there using concepts that we were doing over here the bit here where we have this sort of like flick, and I was like that was a cool pose and this was like a cool stop position so when we got over here we had that seven what, and so we were like ah seven that we can hit our down moment which was coming from we're using some inspiration from that bit boom what, and...
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